Sunday, 4 October 2020

Thank you all for coming along for this ride! (Indefinite Hiatus)

Hey there all!

I will start with saying  that I really treasure my time spent writing this blog and interacting with various people involved in the EVN community. You guys were awesome company in this journey and despite the obscurity of this project, I feel like it benefited me personally in many ways and maybe even helped people appreciate the value within the non-JP visual novel scene. I'm really thankful to all the people that read my blog, the devs that offered me their time and gave me their games for review – they all made these 2+ years into something special.

When I started this project, there were two main things that motivated me. The first one was the frustration over dismissal of EVNs which is still common sense in the large parts of the VN fan community – belittling of the very games that made me fall in love with the visual novel formula. I wanted to create a space that is fully dedicated to discussion and promotion of EVNs as worthwhile and significant part of the genre. The second part was even more personal – my personal struggles with video game addiction and other issues, my ambition to shift my focus into a more challenging and creative activity. In many ways, I consider both my goals relative successes. While slowly, the perception of EVNs is changing and the scene evolving in interesting ways – while it shares pretty much all the suffering of other indie niches, with PC gaming in general being oversaturated and hard to navigate, I feel that it at least established itself as a significant formula that is attractive for story-oriented devs and appreciated by a significant audience. In other words, EVNs are here to stay and in time fewer and fewer people will be able to easily dismiss them as poor imitations of Japanese games. Whether my work had any impact in this regard? Apart from a bunch of people on Fuwanovel that I know I influenced in personal interactions, I honestly have no idea. I want to think there was some minor impact, but I had enough fun in the process and learned enough that I don't mind either way. I did my best and changed a few things about myself, which was the most important part for me.

Of course, I'm in no way saying that I'm putting the blog on hiatus because my job here is done. The real reason is much more prosaic – I just can't keep up with it. The last month was particularly devastating in this regard, with very little time for me to either read or write. And while an obvious answer would be to just work at my own pace and publish stuff whenever I'm able to, it's not really something that would work out for me. Missing deadlines, thinking about future projects, it all became a source of stress rather than a source of fun, and I feel it would only get worse with time. While I really wanted to keep the project alive, I don't want to do so at any cost. I feel burned out. I barely read VNs for fun. I don't watch anime for a few months now. I need a change of pace and ability to rediscover my love for these hobbies. The blog, sadly, became a prime obstacle in this.

So, what's going to happen now? The blog will cease to get updates, unless something special happens. I might still do game jam summaries, as those are something I massively enjoy. I might also publish something on Fuwanovel from time to time – I'm theoretically still an editor there. The one part of the project that's definitely here to stay is the Steam Curator account. The devs that sent me their games deserve to at least get a Steam review and, generally, an evaluation of their work. I will also use my Twitter to publish updates about new games listed on the Curator account. The Steam reviews themselves will likely be a bit more polished – not that much though, I don't want to jump straight into the same burnout-inducing rabbit whole.

So, once more, thank you for sticking around and I hope my project gave you some amusement. And, of course, see you around – I'm not giving up on EVNs and the community around them any time soon. :)

Saturday, 12 September 2020

The Fairy's Song Review (Yuri Visual Novel)

The last time we talked about a “modern fairy tale” VN with a yuri spin to it, it was a very special one – Studio Elan’s Heart of the Woods, which I confidently gave my first and, so far, only 5/5 rating. The way it mixed relatable, modern characters with an emotional fantastical plot resulted in experience in many ways unmatched within the EVN scene. It also showed the huge potential of this formula, handling the clash between mundane and supernatural in a different way than typical fantasy or horror stories. Today we’ll be looking at a game that took similar themes and utilized them a more low-key, light-hearted way – ebi hime’s newest yuri VN, The Fairy’s Song.

                Released on Steam and early August 2020, this project is a slight departure from ebi’s usual, angst-filled storytelling, focusing more on cute romance and comedy. Fairly similar in tone to 2016’s Strawberry Vinegar, which also combined modern-day slice of life story and supernatural elements, it plays on classic themes of knights, monsters, magic and sleeping beauties, but puts them in a configuration that gives the whole setup a very different meaning… Which doesn’t necessarily mean The Fairy’s Song manages to offer many surprises or that it feels particularly fresh in how it utilizes those tropes and story elements. But why is that exactly, and is it really a bad thing?

But have they really…? There is certain sloppiness to The Fairy’s Song's lore and the overarching fantasy plot, but thankfully it can’t overshadow the charm of the characters and the yuri romance

The Fairy’s Song's protagonist is Marnie, a goth teenager who tries to make up for her small stature and naturally cute looks with dark clothes and a (slightly) mean attitude. We meet her when she’s being dropped to her grandmother’s house in a small, remote village, quite unhappy with the time she’ll have to spend there while her parents travel abroad. Her grumpiness is only strengthened by the fact her grandmother, struggling after the death of her husband a year earlier, is a shadow of her former self – not just frail and weighted by her loss, but also disturbing her family with frequent talk of fairies and other magical phenomena supposedly present in the surrounding forests. However, what was meant to be a boring and depressing stay is turned on its head when Marnie ignores her grandmother’s warnings and walks deep into the forest. There, she is confronted with several inexplicable events, but most importantly, she discovers an unconscious girl dressed like a knight – Leofe, who apparently spent centuries sleeping in the enchanted grove and is now determined to repay Marnie for waking her up.

                The story from this point is slightly messy and strangely-paced but also has quite a lot of charm. The fantasy subplot suffers from a few inconsistencies (like Leofe claiming her magic comes from the forest’s fairies and later describing them as untrustworthy and hostile to humans) and rather predictable mystery elements. Its interplay with the slice-of-life moments also leave a little bit to be desired – the premise would make you expect the main couple spending quite a lot of time in the enchanted forest encountering various magical phenomena, but those moments were few and far between and felt a bit disjointed from the mundane drama. This mild sloppiness and lack of dedication to the theme felt uncharacteristic for ebi’s writing, but thankfully the story worked much better in the most crucial departments: the characters and the relationship between Marnie and Leofe.

…also, at no point fairies show up on screen and there’s no trace of the titular fairy songs, but there’s enough fay magic and enchanted woods in the story that you’re unlikely to feel cheated

Marnie represents the angsty teenager archetype that can easily become irritating, but she is actually a nicely balanced character, with enough self-awareness and compassion to never become off-putting. Her fierce attitude also makes her adapt pretty quickly even in extreme circumstances, which comes in handy a few times when she encounters supernatural dangers. She does not change much during the story, her attitude softening rather in response to specific circumstances than due to some internal epiphany, but she’s compelling enough as a character for that not to be a problem. Leofe, even outside of a few secrets and plot twists she’s involved in, is an interesting character that only over time I fully appreciated. Her over-the-top, knightly persona and constantly-declared devotion to Marnie might feel absurd at first, but the role of that facade becomes more understandable later on. Stranded in an unfamiliar world, one in which she has no place to call her own, falling back to her ambition of being a knight is a defence mechanism that she initially relies on to keep on going. As her relationship with Marnie deepens, we can see her attitude and mannerisms becoming more natural – this aspect of both girls gradually lowering their defences and becoming honest with each other is one of the most compelling aspects of the whole VN. A lot of good can also be said about the supporting cast, particularly Marnie’s family. Her parents have fun personality quirks that make them believable and fairly defined despite their limited screentime. Her grandmother is a little bit more one-note (same can be said to characters connected to Leofe/the enchanted forest), but full of warmth and she supports Marnie in crucial moments of the story, which makes her plenty likeable.

                Then, there’s the yuri relationship itself, which includes choices that may or may not be to your taste. While the game is fully kinetic and ends on a very positive note, it doesn’t go very far in developing the love story, as the girls end up still slightly uncertain about their feelings and what their future will look like. There’s also no epilogue that shows them being together, which is a bit of a wasted opportunity in a story that is in large part about finding a place for oneself in an alien world. Just a little glimpse to how Leofe was going to adapt would be very satisfying. Overall, there are enough cute moments and kisses to satisfy most yuri fans, but I hoped for something a bit more conclusive. The game also mostly avoids explicit LGBT themes – while Leofe’s past as a girl going against social norms and striving to become a knight has a clear feminist/empowerment angle to it, neither hers nor Marnie’s attraction to women is ever elaborated upon. While I know some readers prefer things to be this way, for me at least acknowledging the issue makes the story more immersive, so I wish the game was at least a little bit less vague.

In a major way, The Fairy’s Song is also a tale of waking up in an unfamiliar world and trying to find a place for oneself – with all the troubling and ultimately-heartwarming implications

The game’s visuals are kept relatively close to standard anime art and they are overall very cute and colourful, setting an appropriately light tone. The level of detail didn’t amaze me at any point, but the character art, backgrounds and UI are all nicely stylized and fit together very well, creating an overall very pleasing effect. Music caught my interests a bit more, as it mixed typical slice-of-life VN ambient tunes with more dynamic ones reminiscent of JRPG soundtracks. The switches in style complemented the transitions between more mundane and more adventure-filled segments of the story – a choice that felt well thought out and deliberate, which is not necessarily true with most EVN soundtracks. Generally, the VN left nothing to complain about from the technical standpoint, a few typos scattered throughout the story being the biggest issue I can think of – and even those were relatively few and far between.

                So, do I recommend buying and reading The Fairy's Song? Generally speaking, yes, but it's also not an offering that will completely satisfy fans of ebi's usual storytelling, or those seeking for a cohesive and engaging plot. With how casual the flow of this VN was and with some of the quirks in its art reminding me of Winged Cloud's Inma Ruiz's work, I sometimes couldn't suppress the feeling like I'm reading clean, better written fragments of a Sakura game. Personally, I'm all for that kind of low-brow fun, as I can easily get past some messy plotlines and enjoy cheesy romantic moments, but you need to adjust your expectations properly to not feel at least a bit disappointed approaching such a game. The Fairy's Song will occasionally ask you to embrace its silliness and go along with a few overly-convenient plotpoints, but if you're able to do that much and if you enjoy cute yuri romance, you'll have tons of fun with it.

Final Rating: 3,5/5


+ Fun main couple with good chemistry

+ Lovely visuals

+ Good soundtrack



– Mild inconsistencies in the game’s writing

– Very standard plot that adds nothing fresh to the formula


Buy The Fairy’s Song on Steam or

Saturday, 29 August 2020

Synergia Review (Yuri Visual Novel)

Have you seen Blade Runner 2049? The cyberpunk epic that charms the viewer with its climate and polished visuals, but is probably a bit too convoluted for its own good and offers relatively little payoff for its massive, multi-layered plot? Now, imagine watching that movie without the context of original Blade Runner and accompanying shorts, all offering crucial pieces of worldbuilding and linking the main entries in the franchise together. How much meaning the sequel would lose and how hard to follow some of its subplots would be?

                This “Blade Runner 2049 without context” metaphor is the best way to explain my feelings about Synergia, the long-anticipated cyberpunk EVN by Radi Art. First announced in mid-2017, the project gathered a lot of attention with its well-defined, gloomy aesthetic and an appealing story outline. After that, it went through a number of hiatuses, with the creator behind it often going silent for long months and many assuming the project was dead. In mid-2019, however, the full development of the game was resumed and after a successful Kickstarter campaign (and another series of delays), we finally received a finished product in August 2020 – one that, in my opinion, proved way less mystery-filled and more flawed than the promotional materials made us hope for. But why is that exactly and to is this game actually bad, or just not living up to the hype?

The few characters central to the Synergia’s plot showed great promise, however, most of them remained relatively unexplored and their stories left without closure

Synergia tells the story of Cila, a police operative and negotiator specialized in dealing with androids, living on a far-future, desert-covered colony planet. Serving as a private contractor to the oppressive imperial government, the dominant polity of the unnamed world, she’s depressed and demotivated, barely managing to fulfil her duties despite being highly-trained and skilful in dealing with both AI and augmented humans. Soon after the game's start, however, her apathetic routine is broken when her best friend Yoko, a shady android merchant and gang leader, gifts her a replacement to her recently-defunct companion android. The new robot, Mara, seems incredibly advanced and human-like – arguably more human than the repressed and corrupt population of the imperial capital – and astonished Cila with her unpredictable and independent behaviour. Soon her unclear origins and level of intelligence, suggesting the use of illegal forms of AI, become signs of trouble, which Cila is unsure how to deal with. However, even she does not expect the real depth of the conspiracy and the significance the android might have to the future of her country (and, possibly, the whole colony).

                While this setup sounds both fairly typical for cyberpunk fiction and decently complex, the way the VN approaches exploring its story is pretty unique and depending on your interpretation can be considered either minimalistic or plain lacklustre. With just a bunch of characters dominating the plot, extremely limited use of exposition and very few opportunities to explore the setting in any significant fashion, we get a core story that is largely suspended in a narrative void. Crucial elements of the plot like Cila’s past traumas and broken career within imperial special forces are very shallowly explored, while other central characters, like Yoko, barely get any development at all. I’m all for subtle storytelling and natural presentation of background information, but Synergia just gives the reader way too little to work with. The way the world is presented is even more cryptic, with some contextual information present (like web articles and messages occasionally showing up when you use computer interfaces), but not enough to get a cohesive sense of the setting. The Empire in particular, while its presence is talked about a lot in the game, is never showed much or interacted with in a manner that would justify its menacing reputation. This might be less of a problem to some readers, but for me exploring interesting visions of the future is a huge part of the appeal of cyberpunk as a genre and Synergia underdelivers heavily in this regard.

The game’s red and blue-tinted, neon aesthetic was one of its major draws and the final art do not disappoint – that is unless you find the heavily-skewed color pallet jarring

Then there’s the pacing and overarching intrigue related to Mara which are not bad, but also not spectacular. The game is relatively lacking when it goes to tension and sense of danger. Fights or confrontations are few and far between and Cila is barely ever put in real danger, which is kind of out-of-place considering her perilous line of work and the powers she’s working against in the latter half of the story. There’s also a very real lack of story development around the midpoint of the plot, before the game branches out to “good” and “bad” route (the difference in tone between them is not as huge as those labels would suggest, with “bad” ending being more of a “neutral” one). Particularly, this is the portion when the romance between Mara and Cila should be given time to grow and gain meaning, but that’s simply impossible within the brief segment between the main intrigue being established and the final act kicking in. This makes even the yuri aspect of the game feel underdeveloped – also because we learn very little about the “mechanophilia” incident from Cila’s past, one that could give more depth to her character, her feeling for Mara and even the overall setting, as her tragic "love affair" with an adroid had serious repercussions for the whole Empire.

                The resolution of the mystery plot, involving Mara’s origins and the significance of her existence, was quite imaginative, but some parts of it were also pretty contrived and unconvincing. Synergia’s promotional materials were giving a vibe of outlandish conspiracies and, possibly, deeper transhumanist themes, while the game itself was trying to build tension with a mysterious countdown to the “Synergia incident”. The real resolution of the plot was hardly that spectacular and Cila’s role in it somewhat irrelevant – whenever she has significance for the overarching story, it’s because of what other characters want from her or because of something she did in the past (and the game never shows those events, just briefly references them). While her initial apathy is explained in the plot, she’s the kind of protagonist I really don’t like in VNs – it’s fine for MC’s influence and agency to be realistically limited, but here they’re not only being tagged along by greater powers, their most interesting moments are also delegated to the vague backstory. This doesn’t make Cila a bad or unappealing character, but a poorly-utilized one – exactly because she’s a genuine badass that should get more than two or three scenes taking lead.

The game’s red and blue-tinted, neon aesthetic was one of its major draws and the final art do not disappoint – that is unless you find the heavily-skewed color pallet jarring

From this you could probably get the feeling that I disliked Synergia or that it’s an overall poor experience, but that’s not the case. The major elements boosting its enjoyment factor are definitely the art and music. Visuals are highly-stylized, with a dark and distinct colour pallet that boosts the gloomy and oppressive feeling of the setting. While sprites and CGs are relatively simple when it goes to the level of details, they look appealing and very in-line with the cyberpunk formula. The soundtrack is exactly the kind of electronic ambience music you would hope for in a game like this and I enjoyed it a lot. At the same time, it always stayed comfortably in the background, without even threatening to distract me from the reading (which is exactly how I like things to work). Before I conclude the review, however, I also have to mention another important problem of Synergia: the English script is weighted down by spelling mistakes and occasional awkward phrasing. These issues weren’t massive, but visible enough even for a non-native speaker such as me, so take them into consideration.

                So, what’s my ultimate take on Synergia? Despite all the complaining I did, the issues I write about were not something that could ruin my experience, but rather areas where I saw clear wasted potential. The game tried to tell a complex story but did not take the time (it's 6-7 hours of content) and attention to detail necessary to fully immerse the reader. I could much more easily look past the main intrigue not blowing me away if the game’s world and main characters felt alive and decently fleshed out, but they always fell short of that threshold. The result is a game that is fun enough to follow for fans of the genre, but one that never manages to rise above purely average levels. Maybe the free story DLC promised by the author will do something to give the experience some real depth, but for now, I can only recommend Synergia to people who’re particularly fond of the cyberpunk aesthetic and themes – while it hardly adds something new to the formula, it’s a decent enough iteration of it, especially on the relatively-barren landscape of cyberpunk VNs. And if the author decides to expand this universe, it can still hold a lot of promise – the foundation is solid, it just needs a lot more substance on top of it to truly shine.

Final Rating: 2,5/5


+ Great cyberpunk aesthetic

+ Climatic soundtrack



– Weak worldbuilding

– Underdeveloped/underexplored characters

– Average-at-best main intrigue and mysteries


Buy Synergia on Steam or

Saturday, 8 August 2020

Stellaren II Review (English Original Visual Novel)


Stellaren, released exclusively to mobile devices in 2017 was an important game in my engagement with VNs. A dark sci-fi adventure with a captivating setting and a tense, at times brutal story stood out significantly from most other visual novels available for smartphones and I think to this day is one of the best dedicated Android/iOS games of its kind [you can find my detailed review of it here]. It also cemented my love for VNs as a storytelling formula and while some of that infatuation was definitely connected to me being a fairly inexperienced reader, many elements of Stellaren’s worldbuilding and character development are genuinely bold and interesting – and to the point where I wasn't even bothered by its rough edges and clunky gameplay elements.

                Because of all this, it is an understatement to say I was excited to hear about the release of Stellaren II July this year, coming out not only for mobile devices but also on Steam. Promising heavily updated visuals, a set of better-polished gameplay elements and a substantial, conclusive story (its predecessors had a tendency to end on cliffhangers), it seemed like a massive treat for someone like myself, already in love with this universe. What I found was both different and more complex than I expected – but did it capture the charm and stomach-gripping qualities of the original?

Stellaren II minigames are a massive step up in quality over the first game, and mostly skippable if they turn out not to your taste

Stellaren series is set in far future, where humanity is a space-faring civilisation mostly united under the Neo Galactic Conglomerate – an Earth-based government that manages numerous colonies with an authoritarian and exploitative approach, treating its inhabitants like second-class citizens. A few centuries back this injustice led to a civil war, ultimately won by Earth, while the breakaway faction, the Colonial Rebel Forces, established a ragtag domain composed of most remote human colonies. Over this background, the original game tells the story of M., a junk merchant scraping by on an impoverished planet by scamming NGC pilots. A sequence of unpredictable events gets him trapped on an NGC warship and involved in what would soon become a massive galactic conflict, with the stakes being the survival of mankind as a whole. I don’t want to go any deeper into the lore of the games, as I strongly recommend checking out the first Stellaren – something not necessary to enjoy the sequel (it recounts the most important plot points and most of the crucial lore), but worthwhile by the original game’s own merit.

                Stellaren II is set in the aftermath of the aforementioned conflict, on a remote and relatively isolated mining colony of Horus. It follows a blank-slate protagonist whose neural implants were hacked, forcing him to take part in a brutal rampage in the colony’s starport and wiping out all his memories. With few clues on his identity and past, he ends up working with two detectives investigating the murders: Lana and Rene, private contractors for the Weber Corporation, a powerful conglomerate that is the de-facto ruling power of the colony. Similarly to M’s story, during the 10+ hours experience this initial intrigue gradually escalates to galaxy-altering proportions, eventually linking with the plot of the prequels and giving conclusion to the overarching storyline of the series.

                All that being said, here comes my first issue with Stellaren II – while it works heavily to be a worthy conclusion for the main story of the whole saga, its most enjoyable moments are still connected to the initial 2/5 of the experience, happening on Horus. The two heroines that define this portion, aforementioned Lana and Rene, are interesting and well-developed, and after the game moves to space to pursue its grand narrative, they mostly move to the background, while other characters become the focus – particularly Len, the mysterious ex-NCG operative who appears in the colony following her own agenda and forms an alliance of convenience with the protagonist and his companions. At this point, the game also opens up with a space-travelling interface and several interesting locales, but in my opinion it never manages to recapture the good pacing and emotional impact of the initial chapters.

Who the protagonist is to one of the heroines… While the general tone of the story is dark and often brutal, the game offers enough humour and colourful personalities to never feel overly depressing

The next problem of Stellaren II is the sheer complexity of its story, combined with an unusual structure of the experience (at least partially connected to it being a Unity game, rather than one using a dedicated VN engine). With saving only possible at the beginning of every (often substantial) scene, a massive number of choices and an extensive affection system tracking your relationship with over 10 characters, it’s easy to get lost in all the options available to you. What makes it even worse is that the actual goals and consequences for affection building are obscured and nearly impossible to get right on your first playthrough. Often one slip-up can cost you the life of your preferred heroine and deprive you of the ending you wanted, with little to no indication on what you did wrong, or whether an alternative outcome was even possible (there are only two endings currently implemented, but more are being developed). In practice, you’ll likely have to finish the game once getting a default (Len’s) ending and then study the game’s wiki to get any other result – a problem not unheard of in VNs, but hardly an optimal situation.

                All those issues, however, can’t nullify the main strength of the game, that is its writing and worldbuilding. The post-war galaxy it presents is a brutal and chaotic place, with suffering and death ever-present. More importantly, Stellaren II is not afraid to make even its most important characters vulnerable and always handles their (either potential or inevitable) demise in meaningful ways. Every tragedy visibly impacts the protagonist and those around him, but at the same time they cannot give up on their mission, with stakes only rising as the time goes on. The occasional game over screens add to the feeling of vulnerability – the protagonist and his allies are routinely confronted with enemies they have very limited means of fighting against and the game makes it explicit that every bad move might be their last. At the same time, this dark picture is being offset by cleverly-written character interactions and humour, showing that the cast is making the best of their circumstances and adapt to the harshness of their world. Even in my initial playthrough, when I failed to avoid any of the “optional” character deaths, the ultimate message of the story felt hopeful rather than depressing.

                Two areas of the game’s story I found fairly weak are the protagonist and the villains. The lead character is explicitly a blank slate and while we later learn a few things about his past, he does not have the backstory and compelling character arc of M. from the first game. It’s even something of a recurring joke that characters question the reasons for him being included in some events and his connection to the heroines, even though he eventually proves himself as a valuable member of the team. The one positive is that he’s not a harem protagonist who wins every girl’s heart for no reason – the romantic tension in the game is very low-key and mostly shows up if you really push for it with your choices. The antagonists, while properly menacing, lack depth. The main threat throughout the story, a homicidal clone called X2, is simply pure evil, murdering and torturing people without remorse and with somewhat unclear motivations. What’s worse, this is in stark contrast with the character she was created from, the rebel commander X. who served as the initial antagonist of the original Stellaren – someone who might’ve, at first, seemed like a sadistic monster, but showed a lot of nuance and conviction later down the line. The pirate lord Roto, on whom the mid-section of the game is focused, is hardly better, for the most part just feeling cartoonishly vile. Even the broader antagonistic factions, like the Horus' terrorist group called the Butchers could've easily been more compelling, instead of just serving as cannon fodder for battle minigames – particularly because the Weber Corporation they fight against is hardly a benevolent, moral institution.

Their returning characters and conclusion to the Stellaren’s overarching story should satisfy fans of the series, although the initial chapters on the planet Horus are still the best parts of the sequel... And yeah, we still don't know what those one-letter names are about

Minigames were always a crucial part of the Stellaren experience, particularly with space battles thematically integrated into story segments. Outside of the starfighter sections (this time in the form of a shoot 'em up), the sequel includes tactical ground battles and a real-time infiltration minigame. When it comes to the level of polish they definitely go above the clunky dogfighting from the original, but are still fairly simple. They are also, outside of the infiltrations, fully skippable, making the experience of replaying the game for alternative story paths, or simply for those only interested in the VN content, less painful than it could've otherwise been. At the same time, the one unskippable minigame still gets in the way on new playthroughs, while the ground battles felt very dull to me, with stiff mechanics and snail-paced combat. Even the power-ups bought with credits awarded for winning encounters are simply passive bonuses, offering little in terms of customisation and giving a weak sense of progression. Generally, the minigames were neither a negative nor a major positive in my experience, but I also generally prefer my VNs keeping their focus on the story. One other mechanic worth mentioning is timed choices, showing up in more dramatic portions of the story and often associated with game-overs. My feelings are often mixed on such gimmicks, but here they never overstayed their welcome or became frustrating with their difficulty, while also conveying pretty well the dynamism of some scenes.

                When it goes to the visuals, the game is a major step up in comparison to its prequel, with detailed sprites (including some poses and clothing variants) and a good number of dedicated illustrations, both full CGs and simpler lineart spicing up the crucial moments of the story. Backgrounds are still a mix of 2D art and edited photos, but their quality and tone feels a lot more consistent than in the first game – the original Stellaren took many shortcuts which were possible to ignore when playing on a smartphone, but the sequel avoids such jarring dips in quality or mismatched assets, giving a solid impression even on a large PC monitor. The soundtrack, while mostly composed of stock music, is very consistent with dark sci-fi theme and generally supports the tone of the story very well.

                So, what is my conclusion on Stellaren II? Among mobile-oriented VNs it's still among the best things available, with a compelling story, good production quality and none of the exploitative business model you usually find on smartphone apps (and mobile VNs, curiously enough, are often among the most despicable examples of unethical monetisation and bastardisation of the source formula into a money extortion scheme, with things like CGs, choices or even progressing the story being routinely paywalled). Particularly for fans of the dark sci-fi stories it should be a treat on whatever platform they choose to play it (at least when the paid "pro" version hits the mobile stores – the free one include adds and doens't let you skip combat). On the other hand, some of the elements that made me fall in love with the original Stellaren, like the moral ambiguity of major factions, compelling growth for the protagonist and surprising character development are less present this time around. As a result, the game was both more and less than I hoped for. Despite that, I feel no hesitation to recommend this series to anyone who isn't allergic to gameplay elements and various quirks typical for VNs created in not-dedicated game engines (i.e. missing options and quality of life features). Particularly for the low price of $4, it's a great value proposition and if any of the themes and storytelling techniques I've described in my review appeal to you, you should consider giving Stellaren II a chance. Hopefully, we'll get more smartphone VNs of this quality in the future.

Final Rating: 3,5/5


+ Interesting, dark sci-fi setting

+ Well-paced, tense main story

+ Large cast of memorable characters



– Fairly weak minigames

– Confusing affection system

– Weak antagonists


Buy Stellaren II on Steam or play it on Android and iOS

Friday, 17 July 2020

NaNoRenO 2020 Highlights, Pt 3: Romance VNs (Non-otome Edition)


Hello there and welcome to the third and final part of my NaNoRenO 2020 highlights! While in the first two posts I focused, respectively, on otome and horror VNs, this last batch of recommendations will be about other romance stories submitted to the event. I have to admit upfront that this is likely the least exciting list of the three, with no game standing out to me in a similar way as Enamoured Risks did among otome entries or Eislyn's Apocalypse did among horror ones. However, there's still a bunch of solid and interesting titles in this category, my favourite being probably Café in the Clouds, with its lovely visuals and memorable dreamworld sequences. Also, the jam has something to offer for fans of all typical romantic configurations, with BxG, BL and Yuri couples strongly represented.

                 As always, all the games I'm writing about are completely free to download, and clicking their titles below will get you straight to their pages. Also, I've skipped projects that were submitted to the event but proved low quality or did not offer a complete experience (meaning I exclude all demos and prototypes by default). So, please join me as I wrap up this insane, months-long project of thoroughly covering the biggest NaNoRenO in history – hopefully, you'll find something interesting among my recommendations.

Love Rewind: A Magical Time Travel Romance (BxG/BxB)

Love Rewind is a short romance story with one male and one female love interest, themed around regret and desire to change the past. Yuki, the protagonist and young mage-in-training, loses everything in a futile attempt at saving his terminally ill mother. Broken by this failure and the destroyed relationship with his fiancée Quinn, he isolates himself from the world – an empty, depressing existence that would likely last for the rest of his life if not for the appearance of a spirit, taking form of a cat. This powerful creature forces on him an opportunity to relive and change the events that led him to ruin, and regain the love he lost – or maybe forge a different path altogether…

                  This VN, while a bit rushed and lacking the proper buildup particularly for the BxB arc (Quinn’s route at least have the background of protagonist’s relationship from the original timeline), has a few things going for it. Yuki is a decent protagonist, whose desperation and pain are easy to emphasize with, and the core story has all the satisfaction inherent to plots where you avert a looming disaster. The love interests simply don’t have enough time to develop as characters and truly shine, but they work well enough as incentives for the protagonist to not repeat his past mistakes. The end result is not a great romance VN, but a nice short story in its own right – and one that looks and sounds very solid for a game jam entry.

Final Rating: Recommended

Weekend Fever (BxG)

Weekend Fever is a minimalistic, but emotional story about a writer struggling with burnout, unable to create stories or even find the passion for the line of work switched to after his endeavours as an author died down. While on a short business trip to his hometown, his mind filled with a mix of nostalgia and discouragement from his current circumstances, he meets a stranger – a woman who inexplicably rekindles his passion for writing…

                While the core plot of this VN might not sound very inspired, its value lies in the atmosphere it creates and psychological depth of the main character. Passages of his unfinished book are mixed with rather excellent descriptions of his emotional distress and obsessive drive to create that shows up immediately after he finds inspiration. The visuals and sound are simple, but the colour pallet and distortion effects used in backgrounds create a surreal effect, adding to the slightly detached, nostalgic feel of the narrative. The romance is basic, but full of emotional impact thanks to the fact how connected it is to protagonist’s struggles – all this makes for a satisfying short story, worth experiencing regardless of whether you’re looking for romantic content.

Final Rating: Recommended

Flour Hour (BxB)

Flour Hour is a well-though-out BL romance story weighted down by one massive issue – its prose. The English script is not only full of errors and awkward phrasing typical for non-native writers, but also uses Japanese honorifics in a particularly pointless way, making the whole thing feel like a poor fan translation. Which is a shame, because the underlying story has quite a lot of merit. The main intrigue features Yuki, an owner of a bakery created in place of his grandmother’s flower shop, being approached by a lawyer with claims of massive debt his business owns to a powerful corporation. The desperate struggle to save the titular Flour Hour coincides with a reappearance of Souma, a former boyfriend Yuki never really got over, and increasingly suspicious behaviour from his sole employee, Izumi.

                Flour Hour’s drama and intrigue prove surprisingly in-depth when you get further into the story. While some developments are pretty silly and the choice system maybe a bit too unforgiving, the characters offered more nuance and development than I expected. Souma was probably the most interesting in this regard, as his abrasive and borderline-abusive behaviour becomes much easier to understand when he finally opens to Yuki about his feelings and his experiences after they broke up. At the same time, the story is simply hard to get into with the clunky writing, strangely-stylized visuals and poor-quality CGs. If you can look past those issues, however, the VN might be worth reading not just from the perspective of BL fans – to me, its core plot and the way romance was handled felt very universal.

Final Rating: Cautiously Recommended

Demon Kiss (BxB)

Demon Kiss is quite likely the best-looking and most polished game on today's list, featuring a really cute BxB romantic plot between a socially-anxious computer technician, Felix, and Trisetar, a demon noble that accidentally kidnaps him to hell. Shocked by the human's strange attitude and non-fearful reaction to his presence, the demon gradually lowers his defences as the two are stuck together for a few months (time necessary to recreate the spell for travelling to the human world).

                Despite the pleasing art and generally fun, lighthearted storyline the game is not without some issues, the main being its pacing. There is an overarching plot connected to Trisetar's initial appearance in the human world, but it's basic at best and generally stays in the background of the developing romantic tension... Which also doesn't develop as much as it probably should. With no bad endings or really tense moments, the story has a pleasant flow to it, but fails to get the reader engaged other than on a very superficial level. As the result, I would only truly recommend reading this one to dedicated BL fans – while the humour and the final plot twist are fun enough even for an average reader, the main focus is the fluffy BxB love story that should mostly satisfy people who are explicitly after that kind of content.

Final Rating: Cautiously Recommended

At First Sight (BxB)

At First Sight is an unusual story utilizing a very interesting concept – in a world where everyone has a destined soulmate with whom they spend their whole life, the protagonist, Grimes, approaches his forties without finding one. When Dreams – a rare form of premonition happening to the Unsouled and hinting at the identity of their future partner or the circumstances they’ll meet under – start appearing to him every night, he’s more terrified of the uncertainty of following the visions and possible disappointment than he is encouraged. And when he finally decides to act on his premonitions, what he finds is detached from his expectations way more than he ever feared…

                At First Sight is technically a BL game and gay romance is present in it in some ways, but above all, it’s a story putting various romance clichés on their head. Grimes is an unpleasant and frustrated person, and in the world where everyone receives a happy ending by default, he ends up with something that even in the best possible interpretation can hardly be called a love story. His reactions are often nasty, even beyond what is justified by his depressing position, making his a relatively unlikeable protagonist. However, the way the game explores the idea of soulmates, and the strange situations and tensions it creates in its world is genuinely interesting – for that element alone At First Sight might be worth investing around 30 minutes necessary to complete it.

Final Rating: Recommended

Kill the prince!? (BxB)

Kill the Prince!? is a tiny story about a thief hired to assassinate a prince kidnapped by a rival kingdom and forced to marry their princess. Cute and very humouristic, the game gradually reveals the connection between the protagonist and his target, while also delivering amusing dialogue, a cast of exaggerated characters and silly puzzles centered around switching disguises.

                The game’s art is in decent part composed of simple lineart or rough sketches and the whole experience is very brief (20-25 minutes to fully read through), but it has enough charm and wit to justify its existence. The love story in it is also lovely to the point where even someone like me, who usually struggles to get into BL games, genuinely enjoyed it. If you’re looking for a short, fun distraction rather than a deep story, this one is definitely worth it.

Final Rating: Cautiously Recommended

Café in The Clouds (GxG)

Café in the Clouds is a short yuri VN with point-and-click adventure game elements. It tells a story of two women running a very unusual café in a modern-fantasy setting. Outside of simply serving food and coffee, they possess magical powers that enable them to enter their client’s dreams and help them deal with nightmares, or even deep-rooted problems disturbing their nightly rest. The game’s plot focuses mostly on one such case – a client that visits the café (or rather passes out at the entrance) to ask for help with their severe insomnia.

                The romantic elements in this VN come in the form of relationship between the owners of the café, Remerie and Somnia. The interactions and banter between them are very cute and a near-constant feature of the brief story, accentuated by pleasant, pastel-painting-style visuals. Other than that, the player has to deal with a few simple puzzles (and a single unnecessarily cryptic one at the very end) to navigate the client’s dream and find a way to clear out the issues preventing them from resting at nights. The game also teases a larger story, connected to the couple’s mentor and original owner of the café – a story I would be quite interested in reading, considering what a genuinely nice experience Café in the Clouds proved to be.

Final Rating: Highly Recommended

Tender Feelings Like Water (GxG)

Tender Feelings Like Water is a short, supernatural love story about a water spirit that gains a sense of self and after long years, maybe centuries of loneliness falls in love with an unsuspecting human girl. Disguising themselves as another woman, the spirit starts interacting with the mysterious "girl in red", wary to not reveal their true identity – not just due to possibility of scaring her away, but also because the river, the personification of which they are, took away a lot from both the girl and her village in general...

              As simple as this VN was (also when it comes to the visuals and the soundtrack, which are both not unpleasant, but basic), I couldn't help but enjoy its nostalgic storytelling and emotional conclusions (there are two endings, similar to each other, but different in subtle and meaningful ways). It's a yuri romance in a very loose understanding of the term, but should satisfy most fans of the genre with its climate and interesting dynamic between the main characters – and maybe other readers too, if they adjust their expectations properly.

Final Rating: Cautiously Recommended

In Peaceful Days (GxG)

In Peaceful Days is a Fire Emblem: Three Houses fan fiction VN expanding on the Empire route and Edelgard romance (with female Byleth). It focuses on a rare day off, when both the protagonist and the Empress have some time to spend together, away from political intrigues and military conflicts. Byleth sets to prepare a perfect evening, interacting with other characters from the source game and visiting important locations within Garreg Mach.

                A short, cute piece of (non-sexual) fanservice, this VN has enough visual polish and humour to satisfy the fans of the original, but even for someone like me, who never played Three Houses and only did short research to know the context of the story, it was pretty fun to read.  It also has the advantage over many projects of this kind that it's not going outside of the canon with its main pairing and character interactions, but elaborates on one of the possible endings of Three Houses in a believable way. Recommended primarily for Byleth/Edelgard fans, but not necessarily just for them.

Final Rating: Cautiously Recommended

Honourable Mention:

Full Service Shop (GxG/Non-Binary)

Full Service Shop is less a romance story and more a lesbian/non-binary erotic game using its sci-fi setting to create a number of really interesting, softcore scenarios for the player to go through. It features a nameable protagonist in the late 21st century, where advanced cybernetic implants are widely available. This includes the ability to enhance or replace one’s genitals and our main character is on their way to such a procedure, choosing a small, peculiar workshop – the titular Full Service Shop. There they’ll be able to not only choose their new implant (which changes how the scenes play out in minor ways) but also one of the four technicians who will not only install the new implant but give them a thorough “test drive”.

                As trashy as this premise might sound, it’s handled in a quite interesting way, with each technician offering a unique backstory and sex scene, the latter ranging from short and vanilla to complex and kinky. Visuals are tame, majority of the time stopping at partial nudity, so most of the work is done by the genuinely high-quality writing. The stories revealed in the conversations with the technicians and the erotic content itself utilize the futuristic setting, for example by discussing digitalizing the human mind and spicing things up by manipulation of neural implants, providing the much-needed variety when compared to your typical erotic VN. The one complaint I have about the game is arguably a major one – with average visuals and choices that don’t add too much to the experience (apart from initial choices of implant and technician, they mostly can just cut the scenes short), to the point the whole package would work just as well, or maybe even better as a short story. Still, if you’re looking for an unusual, wholesome erotic VN to read, this issue hardly makes it less of a valid choice.

Final Rating: Recommended

And this is all for today's list and, by extension, my coverage of the NaNoRenO 2020. The non-otome romances that showed up this year mostly failed to truly impress me, but games like Cafe in the Cloud still managed to provide fun experiences while a few other proved memorable by escaping the usual tropes and story structures. There are also a few slice-of-life titles that I might add to this post as further honourable mentions – the enormousness of this year's event makes my work of covering it constantly feel incomplete, but for the most part, it's done. I hope you enjoyed what I provided here and will consider giving a chance to VNs I've recommended – I'll do my best to repeat this process next year with NaNoRenO 2021 and this fall with Yuri Game Jam 2020. But for now, thank you very much for your time and I hope to see you again!